Showing posts with label Dark Satanic. Show all posts
Showing posts with label Dark Satanic. Show all posts

Wednesday 13 December 2017

Happy 50th, Baby Satan! - Rosemary's Baby turns 50 in 2018: Summary and Review of Ira Levin's 1968 Novel


First published in 1968, Ira Levin's Rosemary's Baby will celebrate its fiftieth birthday in 2018. A good reason to start celebrating and tick this book off the 'to-read' queue.  
I expect that most readers of the genre are either familiar with Polanski's film adaptation, have read Levin's novel or, indeed, both. Not much needs to be said about the plot. A quick summary can be found below.
Bloomsbury 2002 Paperback edition of Ira Levin's Rosemary's Baby, featuring the artwork created for the release of Roman Polanski's film adaptation of the same name.

Quick Plot Summary

Rosemary Woodhouse becomes the victim of a satanic conspiracy, perpetrated against her by both her neighbours and her husband, Guy. The book starts off with Guy and Rosemary house hunting for a rental property in the Bramford, a sought-after apartment complex in a well-to-do New York City neighbourhood. Having secured a flat in Rosemary's dream apartment, she and Guy, an up and coming television actor, make friends with their neighbours in the building, Minnie and Roman Castevet. Guy becomes ever more attached to the elderly couple, his acting career is taking off and Rosemary falls pregnant with their first baby. All in all, joyful times. 
But all is not as it seems and cracks are apparent from the start. Rosemary feels controlled by the Castevets, her marriage to Guy becomes strained for similar reasons, she finds herself subjected to patronising behaviour and has to endure an extremely painful pregnancy. She eventually starts to take control and connects the dots thanks to a mysterious book on witchcraft and satanism bequeathed to Rosemary by her recently deceased friend and surrogate father, Hutch. Yet, the Bramford conspirators remain ahead of the game, usurping and preempting all her efforts to escape the situation.
As Roemary’s friends and family are either cut off or killed off by the Bramford coven, she is completely isolated by the time she eventually goes into labour. Despite her newborn initially being removed from her, Rosemary goes on a hunt for her son and locates him in the midst of a gathering of satanists in the Castevet’s flat. Finally allowed to face her devilish offspring for the first time, Rosemary succumbs to her maternal instincts, accepting her role as mother of Baby Satan, who comes suitably equipped with tail, horns and claws.

Rosemary's Baby: Book vs Film 
Polanski, who wrote the screenplay for the film adaptation of Rosemary's Baby, is often credited with having created one of the most faithful adaptations in cinematic history. This is understandable, given that Levin's book reads like a screenplay. According to Polanski, it took merely one month to adapt Levin's novel.
When reading the descriptions of the apartment and its decor, I was immediately reminded of Polanski's film, of which I can only remember fragments. Not recollecting the film's entire plot I remained interested in Levin's novel throughout. Reading the book ended up fulfilling a purely utilitarian purpose for me in the end: Filling in the gaps I couldn’t remember from the film. I consequently visualised both Mia Farrow and John Cassavetes at all times, especially when the characters engaged in dialogue. I would say that both Levin's novel and Polanski's adaptation have to be viewed as distinctive, yet inseparable. When reviewing one, it's impossible to ignore the other.

Sunday 10 May 2015

Review: Dark Satanic by Marion Zimmer Bradley


Originally published in 1972 Dark Satanic is the first book in Marion Zimmer Bradley's Occult Tales series and the prequel to The Inheritor. Throughout her life Bradley was an incredibly prolific writer and is, of course, better known for both the Darkover and Avalon series. Given the sheer quantity of Bradley's written output, it should come as no surprise that some of her books lack in the quality department.

Anyone familiar with her wider work will be aware, Bradley published a great number of books and short stories that can best be described as 'fragments' or literary experiments, in which she was trialling new plot lines, developing characters and experimenting with new themes. Rather than retaining these fragments in a drawer, Bradley was happy to see them published - in later years most often inside one of her short story collections and anthologies. Yet, at times her ventures into new territory were published as stand-alone books or republished and marketed as sequels and / or prequels to other novels.  Dark Satanic belongs into the latter category.

Dark Satanic, Marion Zimmer Bradley 

The story unfolds in Manhatten where James Melford, a publisher, and his wife Barbara share an apartment with James's ageing mother (Mother Melford) and her friend, Dana, who temporarily stays with the Melfords while house hunting. 

Shortly before his untimely death, one of James's authors, Jock Cannon, visits James in his office at Blackcock Publishing in order to deter James from publishing Jock's recently completed expose on New York City's satanic subculture. As a result of researching  satanist circles, Jock is now subjected to intimidation and harassment by as yet unidentified forces, wishing to prevent the information in his book from becoming public. 

When Jock suddenly dies of a heart attack, James, still determined to publish his book, decides to investigate further. He remains unconvinced by Jock's warnings until James himself starts receiving threatening calls and unexpected late-night deliveries. 

Meanwhile, Barbara, who not only has a rather strained relationship with her mother-in-law but is also deeply uncomfortable with Dana's presence in the apartment, experiences strange goings-on, too. At first, she doubts her own sanity, but as the story unfolds, she becomes increasingly suspicious of Mother Melford, her confidante and their behaviour towards her. 

Admittedly, in Dark Satanic Bradley is not giving us her best. Quite the opposite. The spelling mistakes in my copy alone indicate the absence of any serious editing and suggest a turbo turnaround from initial manuscript to publication. The characters remain flat and abstract and the story seems to plot along, giving the impression that Bradley, whilst writing, forgot where she wanted to take the story. 

Following the introduction of Claire Moffat's and Colin MacLaren's characters, which assume the roles of dei ex machinae, Bradley moves on to plant the seed of the sequel, thereby not so subtly preparing her readers for further literary ventures into the worlds of good and evil, the forces of black and white magic, religious ceremonies and satanic rites. This is somewhat reminiscient of The Fall of Atlantis, 


The Fall of Atlantis, Marion Zimmer Bradley, photo courtesy of Clarice Asquith


Atmospherically and thematically, the setting and subject matter of Dark Satanic evoke associations with Ira Levin's Rosemary's Baby, which was published in 1967. Rosemary's Baby became the best-selling horror novel of the 1960s and thanks to Polanski's adaptation of the book, which was released in 1968, it remained a trendsetter in the genre for years to come.

As a literary product, Dark Satanic can best be described as a gothic pulp, tapping superficially into Levin's market by ripping various elements off Rosemary's Baby. Considering the poor quality editing, I would not be surprised to find out that Bradley was under a very tight deadline when writing Dark Satanic and she made use of this to explore a rough idea for a new series. In later editions the book is marketed as the prequel to The Inheritor, which was published in 1984 and received overwhelmingly positive reviews. The success of The Inheritor undoubtedly boosted sales of Dark Satanic, resulting in its republication in 1988. 

All in all, Dark Satanic certainly deserves a place in any MZB fan collection, especially to satisfy the needs of the completist collector. All others are best advised to skip the book and read The Inheritor instead. 
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